Highway Fire
By the time she came upon it, it had fangs and a tail, brighthorror, smoke unfurling from a brick throat,roof already gone, men arriving in the aftermath.Everything now for that family, after.Life had already happened.She was twenty and running from a drunk, two drunks,that house full of a different smoke, brothersshe loved but couldn’t like, her desire trainedon her own bones. The car she drove would breakdown but not now.    She was gone.By the time she came upon it, neighbors stood in the yard,secretly grateful, outwardly grieving.    This was somethingthey knew. And even the one across the street, indifferent,came over in walking shoes, beige orthopedics, laceless.She carried a certain kind of grace, her neck long.It had cost a lot to choose what she thought had been a choice,what burned her nervous, shed of the others and how with themshe was needed, if overlooked. She would not get out of the carbut she would think about them, paper dolls in the yard, a fragilechain hooking them to each other, everything burning.
House Party
Thirty years later I see a girl flaton her back, front yard of a house party,two boys teasing with their fists.But it was just a long line of insultsabsorbed as matter-of-fact girlhood.   I had a historyof imprisoning myself.    Historyof scrutiny, witness. Large bloominggirl whose body, cooked dough,crisps in front of everyone.    A historyof hiding when she cannot hide.
Lectures
I knew the one I refused to kisshad a homelife only glimpsed on TV,Daddy thin from liquor, strong fistto his mama’s eye.    That year a priestlet my Episcopalian self confesswhatever I’d needed to, temporaryCatholic in a school of nuns.    I could feelthat boy in the room when we sat in frontof the speaker, sweaty animatedman talking sin, sin, sin.    SurelyI’ve conflated several lectures now,but I remember a paralyzed best friend,haunting regret, empty bottles, womenwho tempt men.    How that day Mama’d dressedme in a mini skirt, massive earringsbought in Florida.    He’d looked at meand I felt that boy shift in his seatwith all he knew of home.    What womendo to good men.    What womenmake men do.
Sunday
Some beast takes them in its mouth overnight,acid of strawberries in July,hops out into moonlight, fortunate.Apples fall early, pockmark the lawnlike a teenage face, one that will carrythese years upon it, dented. You were youngonce, that threat of winter too suddento take seriously. You stayed in place,and the river pulled around your cold knees,gray ribbons between your fingers. Geese   shot out against the sky, choreographed,brave. A brown one walks along the bank,and finally, you spot the problem. One wingbent at an angle, faint moon in the sky.
Varsity
Once, you were subbed into varsity lastminute and didn’t finish last. Your coach,surprised at first, then disappointed.You’re not supposed to have anything left.What she didn’t know: every morning, upat five, nine miles. Eleven afterpractice, because there was no way to knowhow much y’all covered around River Oaks,your coach pushing her girls in the jogger.Those normal bodies. You were not. So youran. It was a wonder you placed at all.
Heat
Under an exhausted August, skylike a cut throat, black blood, skin exposed,girl waits on a swing.    Desire will nevergrip her this way again, out where the winddoesn’t stir and the moon is bored.    Girl waitsin the night air thick with steam.    Hopeis a thing that will keep her here.
Purgatory
Purge, root wordof purgatory, stateof waiting when you knowthe outcome, whena tiny sliver of yourselfhopes you’re wrong.But, there’s so much action
in purge.    Force, decision,wish to shed the bodyof its ills.    What kindof alchemy would it taketo make the outcome your own?Purge, not just bulimicurge but certainty:what’s inside is wrong.   Runway’s slick ribbonof rejection.    Futurea test already failed.
Anne Dyer Stuart    My journal publications include NELLE, Pleiades, North American Review, AGNI, The American Journal of Poetry, Raleigh Review, Cherry Tree, Sugar House Review, The Texas Review, Louisiana Literature, New World Writing Quarterly, and The Louisville Review. My work won a Henfield Prize, New South Journal's Prose Contest, was anthologized in Best of the Web, and nominated for Best New Poets. What Girls Learn, a finalist for Comstock Review's 2020 Chapbook Contest, was published by Finishing Line Press, and the title poem was featured on WPSU’s Poetry Moment, selected and read by Majorie Maddox. I edit IMPOST: A Journal of Creative and Critical Work and teach at Commonwealth University of Pennsylvania-Bloomsburg.